Curtis Mann // Photography from Alan Del Rio Ortiz on Vimeo.
CONGRATULATIONS CURTIS!!!Tuesday, December 15, 2009
CURTIS MANN IN WHITNEY BIENNIAL
Sunday, September 13, 2009
Faculty Show Closing at Leviton A+D Gallery
Monday, August 31, 2009
LAYER CAKE: Tales of a Quinceañera - See the Video
Monday, August 17, 2009
Steve Carrelli - Interview and Blooper Reel
WHEN: August 13 – September 19, 2009
Closing Reception and Artwalk: September 10, 2009, 5-8pm
WHERE: Columbia College Chicago’s Leviton A+D Gallery
619 S. Wabash Avenue
COST: Free and Open to the Public.
MORE
INFO: Jennifer Murray, 312.369.8686
Website: www.colum.edu/adgallery
ArtseenChicago blog: http://www.artseenchicago.blogspot.com
to see videos of participating artists and additional images.
Tuesday, August 11, 2009
Columbia College Art + Design Faculty Show
{blank} place
Third Annual Art + Design Faculty Exhibition
Organized by Jennifer Murray
August 13 - September 19, 2009
Closing Reception and Artwalk: September 10th, 5-8 pm
{blank}place is about times and spaces of revolution, and their effect on visual images. We use convention and tradition to recognize images, pictures and works of art, and because art images interpret our world, they impact how we understand changes in the experience of place, space and time. We only understand visual things in contexts that are historical, geographic and cultural. Artists respond to those factors, and {blank}place is an experimental exhibition of such responses.
The exhibition uses a notion of revolution to emphasize how changes in what, when, and where we see not only changes the character of visual images, but also tells us something about the tools we use to see the world. Exhibiting artists include Steven Carrelli (image credit), Anna Kunz, Betsy Odom (image credit), and Michael K. Paxton.
In a week, I will post short video interviews with the artists. Since Anna Kunz was on sabbatical, she made her own video. Come back when they're posted.
Thursday, July 23, 2009
Anne Elizabeth Moore on Vocolo for show at Center for Book & Paper Arts at Columbia
Monday, July 20, 2009
Upcoming Faculty Show at Leviton A+D Gallery
___place is about times and spaces of revolution, and their effect on visual images. We use convention and tradition to recognize images, pictures and works of art, and because art images interpret our world, they impact how we understand changes in the experience of place, space and time. We only understand visual things in contexts that are historical, geographic and cultural. Artists respond to those factors, and ___place is an experimental exhibition of such responses. The exhibition uses a notion of revolution to emphasize how changes in what, when, and where we see not only changes the character of visual images, but also tells us something about the tools we use to see the world. Exhibiting artists include Steven Carrelli, Anna Kunz, Betsy Odom, and Michael K. Paxton.
Over the next few week, I will be producing short video postcards about each of these artists. Today, I 'll be interivewing Betsy Odom whose current artwork address the issues of gender, sports and craft. Videos and information from the remaining artists will appear over the next few weeks.
Betsy Odom, Tom Bigbee, leather, elastic
Betsy Odom, Softball Bat, 2008, wood, leather, tape
WHEN: August 13 - September 19, 2009, opening reception Thursday, September 10, 5-8pm
WHERE: Leviton A+D Gallery, 619 S. Wabash Avenue
COST: Free and Open to the Public.
INFO: 312.369.8668 or www.colum.edu/adgallery
Saturday, July 18, 2009
Yummy Edit Grain Feed
Editorial Design for Issue One of Pendulum Magazine (2009)
Ah, the bustling city. This magazine cover by Canadian dynamic design duo, Komboh, has it all: high-rises, cars, trucks, and busy people. Juxtaposing the grime of the city is a thick, clean white coil, which adds a simple graphic element to the crowded urban streets. The design is straightforward, clean, unpretentious, and nice to look at.
Tuesday, July 7, 2009
Tuesday, June 30, 2009
TimeOutChicago reviews Carl Hammer show Primal
Art review
“Primal”
Thanks to Carl Hammer Gallery’s emphasis on self-taught and visionary artists, several of the works in the sprawling “Primal: Drawing as the Mirror of Self” explore their makers’ psyches with panache—particularly Joseph Yoakum’s fantastic paintings of places he supposedly visited and devout Christian Stephen Palmer’s lovely, intricately patterned portraits of Mary and Jesus. Other pieces don’t fit the show’s introspective theme so neatly, such as Marc Dennis’s confrontational nudes and George Widener’s depiction of Megalopolis 2012, a bustling city dominated by birdlike airplanes. Still, Widener’s work, which the autistic artist has carefully organized and crammed with details, is fascinating.
The many superlative examples of drawing represent the show’s greatest strength: Three blue-penciled boards by Chris Ware offer insight into the comics artist’s process and poignant stories. In four drawings on album covers, C.J. Pyle calls forth miracles with a ballpoint pen, achieving exquisite shading and gradations of tone in weird, dreadlocked figures (pictured) whose faces appear inside-out, as though their musculature sits on the surface of their skin. Marilyn Murphy’s The Time Jumper and The Lost Glove, two pencil portraits of women shown only from the waist down, combine a luscious, photorealistic aesthetic with surreal hints of feminine anomie.
Yet one of our favorite pieces isn’t a drawing: Cow Girl, an unknown artist’s wood carving, depicts a redhead clad only in a hat, boots and suggestively placed holster. The artist knows exactly what he likes—and there’s something charming about his eagerness to immortalize it.
Thursday, June 25, 2009
Layer Cake: Tales from a Quinceañera
Image: Mexican Quinceanera, Javier Ramirez, Limon
Dating back to the Aztec and Mayan Empires and Spanish colonialism in the
Image: Mexican Quinceanera, Javier Ramirez, Limon
If asked what the Quinceañera means, a celebrant will likely answer: “I’m going from being a girl to being a woman,” but in today’s
Curated by Camille Morgan, Layer Cake: Tales from a Quinceañera has gathered artists who can capture this fantastic confusion through personal engagement - artists who can make transparent the layers of the poufy dress, the many-tiered cake, and the pomp and circumstance to reveal the truths beneath. Viewers will be drawn in and realize that this is not only an Hispanic tradition but a human one.
Media is open to artist interpretation and can include painting, sculpture, photography, site-specific installation, performance and new media.
The exhibition will coincide with
COMMUNITY PARTICIPATION
Interactive Exhibit Wall – Photo Collage
Throughout the course of the exhibit, students, the rest of the
"I am hoping people will enjoy displaying their crazy, funny, poignant, ridiculous and beautiful photos, " says Camille Morgan, the show's curator. "I am sure everyone will love to view them too. The purpose is to make the exhibit feel like a party everyone is invited to...a place where their experience counts and is important to the celebration of
EDUCATIONAL RELEVANCE OF QUINCEANERA
WHEN: September 8 – October 28, 2009
Artwalk Reception: September 10, 2009, 5-8pm
Official Reception: September 15, 2009, 4-8pm (to feature a real quince cake and Mexican food)
33 East Congress Pkway @
- Curator Talks (by appt) at 312.369.7663 or cmorgan@colum.edu
- Shifting meaning of the quinceañera
- The shifting definition of “tradition”
- Religion and faith in terms of cultural ritual
- Issues surrounding immigration and societal status
- How colonialism affects “history”
- Feminist issues in a patriarchal society
Image: Judithe Hernandez, 2009
WHEN: September 8 – October 28, 2009
Artwalk Reception: September 10, 2009, 5-8pm
Official Reception: September 15, 2009, 4-8pm (to feature a real quince cake and Mexican food)
Steve Caballero (Community Christian Church in Pilsen), Priscilla Mills (author of Quinceanera Connections) and Yolanda Nieves (Artistic Director of Vida Bella Ensemble).
WHERE: C33 Gallery, 33 East Congress Pkway @
Monday, June 22, 2009
More Images from Midwestern BLAB! at A+D Gallery
CJ Pyle, Been A Long Time, (c)2009, 13 1/4" x 12 1/4", ink, colored pencil, and graphite on cardboard; to appear in BLAB! 19
Image: Don Colley, miscellaneous sketchbook drawing, (c)1996, 11 3/4" w x 10" deep, ink and watercolor on paper
Image: Teresa James, (c)2000, No Chance Meetings from "The Old Haunts" by Jeffrey Steele; 1 15/16" x 8", color etching, originally appeared in BLAB! 11
Image: (c)2004, Tom Huck; Race of the Wheelbarrow Brides; 24 3/8" x 12 9/16"; hand-colored linoleum cut on paper; originally appeared in BLAB! 15
WHEN: June 18 – July 22, 2009
WHERE:
Gallery hours: Tuesday – Saturday 11am – 5pm, Thursday 11 am – 8 pm
COST: Free and Open to the Public
MORE
INFO: Gallery Coordinator, , 312.369.8686
Press Inquiries, 312.369.8695
Tuesday, June 16, 2009
Tim Long Talks About Burnham in the Phillipines
Tim Long, Chicago photographer, will present an exhibition of photographs that were taken in Manila in 2008. These photographs delve into the rift created by the United States' ambition to create a democratic state in a vastly distant and different culture. See ArtSeen's earlier post here. The name of Long's exhibition is ironically named, Daniel Burnham's Enduring Vision for the Phillipines and will be located at The City Gallery from September 4 - to mid December, 2009. Below is some insight into Long's approach to Burnham's work in the Phillipines.
Image: Tim Long, Manila, Phillipines (2008)
I stumbled across Burnham’s work in the
When I went to
Tuesday, June 9, 2009
Accidental Mysteries Blog Writes About Fred Stonehouse
Thursday, June 4, 2009
Re-Figure: A Contemporary Look at Figurative Representation in Art
Confirmed Artists (more are anticipated)
Edna Dapo http://bit.ly/cu2Ny
Don Doe http://bit.ly/Izs3g
Robert Flynt http://bit.ly/FgmPA
Jason Salavon http://bit.ly/4OWYa
Betsy Schneider http://bit.ly/nm9fu
Amber Hawk Swanson http://bit.ly/nm9fu
Stacia Yeapanis http://bit.ly/6CKin
WHEN: September 8 – October 30, 2009
Opening Reception: Thursday, September 10, 5 – 8pm
WHERE: Columbia College Chicago’s Glass Curtain Gallery
1104 S. Wabash Avenue, 1st floor
Gallery Hours: Mon-Wed, Fri: 9:00am – 5:00pm, Thurs: 9:00am – 7:00pm,
Sat. by appointment
COST: Free and Open to the Public.
MORE INFO: Gallery Coordinator: Mark Porter, 312.369.6643 or mporter@colum.edu
Press Inquiries: Elizabeth Burke-Dain, 312.369.8695
Thursday, May 28, 2009
Dismantling the Corporate State, and Other Amusements
Works by Anne Elizabeth Moore
June 19 – August 22, 2009
Dismantling the Corporate State, and Other Amusements is an exhibition of nine experimental works and activist projects of Anne Elizabeth Moore at Columbia College Chicago’s Center for Book & Paper Arts, 1104 S. Wabash, 2nd floor. One of the projects, Pie Off, will be presented at the opening reception on June 19 from 6-9pm. Another will be The Anne Elizabeth Moore Award for Excellence in Awesomeness which will occur at the closing event, Friday, August 21 at 6:30pm.
A staunch critic of consumerism and media activist Moore has been writing, publishing, and interceding in culture since the age of 15. The indomitable author of Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity, founding editor of the Best American Comics series, and former editor of now-defunct Punk Planet has seen her work exhibited in major museums, praised by the business press, and forcibly ejected from retail establishments. Dismantling the Corporate State, and Other Amusements includes a wide range of both personal projects and collaborations, from Chicago to Cambodia. A retrospective of sorts, this exhibition will be the first to present this work in one place.
This exhibition runs from June 19 – August 22, 2009. An artist’s talk with Anne Elizabeth Moore will take place on Friday, August 21 at 6:30 for the exhibition’s closing which will be followed by The Anne Elizabeth Moore Award for Excellence in Awesomeness.
EXHIBITION PROJECTS INCLUDE:
New Girl Law: 2008 (New Girl Law Audio Book is 2009)
New Girl Law is a letter-pressed, hand-bound book created in conjunction with the 32 young Cambodian women leaders in Phnom Penh. Over a two-week period at the Harpswell Foundation Dormitory and Leadership Center for University Women, the group collaborated a revision of the traditional text known as Girl Law which circumscribes proper roles for women in Cambodian culture. This version calls for basic human rights, gender equity, the eradication of corruption, and funding for cultural production. It is a re-envisioning of a potential future for the country. Co-written in Phnom Penh, and printed at AS220's Community Print Shop in Providence, Rhode Island, New Girl Law has been the subject of several international discussions of women's position in the Universal Declaration of Human Rights, including two among groups of economically disadvantaged creative young women in Providence and San Antonio.
Anne Zine
Produced between late 1993 and 2004, AnneZine was a quarterly publication devoted to the unique needs of people named Anne, Annie, Ann Marie, and the like, and consisted of 47 issues, although 38 of them were fake. Each issue was created in editions of between 12 (issue #1) and 300, with multiple reprints.
The Catalog of This Exhibition
The Catalog envisions an exhibition devoted to uncreated works of art, and attempts to establish a language for talking about potential through four essays that push the boundaries of art past the visual, past the experiential, and past the conceptual into the inconceivable and impossible. It is a piece of writing that exists mainly online, but was set into a hand-bound book with coffee-stained paper for physical exhibition. It exists in a physical edition of only one. (2007)
Radical Education Roadshow: How to Make This Very Zine
Radical Education Roadshow provides do-it-yourself instructions on how to make a zine in several languages. From 2004-2009, Anne Elizabeth Moore travelled the country making zines with young people using this tool, and this is a selection of their amazing, hilarious works.
Unlympics
From January to February 2009, the Unlympics were a series of competitive events that engaged Chicago residents in active dialogue about the 2016 Olympic bid. The Unlympics looked at highly organized, internationally recognized, massively marketed, thoroughly branded, and extremely expensive sporting events not from a pro or con standpoint, but from a questioning standpoint. The Unlympics included real sports, fake sports, and things that should be sports but aren’t yet, including Class-Conscious Kickball, Fashion, Karaoke, Live Action Role Play Family Dinner, The Solitary Isolation Game, and Spelling. Indoor and outdoor games were held throughout the city and open to the public. These events were sponsored by organizations with a stake in the 2016 Olympic bid (unlympics.wordpress.com). Summer Games are being planned now.
The Foundation for Freedom
The mission of the Foundation For Freedom was to bring the best and brightest former ad pros together once a year; inspire young people to leave the craft; focus the industry and public at large on the profoundly negative social and economic impacts of advertising; inspire problem-solving methods focused on the most important issues facing the real world; and shine a light on the influence that advertising, media, and marketing industries have on dwindling public space, atrophying human relationships, and the destruction of democracy. In collaboration with the Anti-Advertising Agency, the FFF created an award for one lucky ad pro, PR exec, or marketing rep dedicated to leaving their life of commercial creativity and onored them with a gala event and giant novelty check during Advertising week in New York City. (2008)
The Anne Elizabeth Moore Award for Excellence in Awesomeness (closing event)
Established in 2005 as an antidote to the several barriers that had been erected to prevent Anne Elizabeth Moore from winning other awards, the Anne Elizabeth Moore Award for Excellence in Awesomeness was created by Kevin Duneman and is juried annually by Anne Elizabeth Moore, who really only ever considers herself in the running for it. A major upset in the awards' history occurred in 2007 when dark horse candidate Sarah Fan appeared seemingly from nowhere to claim victory. The 2008 award goes to Anne Elizabeth Moore in Chicago Illinois, whose achievements had gone unrecognized for several consecutive months except for by her cat, and the occasional conspicuous consumption of pie, which, although delicious, is sometimes just not enough. The 2009 award will be the first to be judged by an open ballot. People besides Anne Elizabeth Moore will be considered for this year's award. This award will be presented at the closing event, Friday, August 21 at 6:30pm.
Operation: Pocket Full of Wishes
Operation: Pocket Full of Wishes was originally a series of eight cards that mimicked the shopping aides found in American Girl Place. The ‘wish’ cards include names, images and prices of items. Anne Elizabeth Moore’s cards bore items like “Domestic Partnership Benefits,” Safe and Effective Birth Control,” and “Free Tampons.” These were distributed inside the store to the doll consumers. Eventually, it became national news—and lead to Anne Elizabeth Moore getting banned from the store. (2004)
Pie Off
Pie Off is an Irregular Semi-Annual Competitive Pie-Baking Competition held in the United States of America, devoted to exploring the boundaries of not only good taste, but also the boundaries of what constitutes competition, how decisions are made in groups, and what the limits of consumption are for even those individuals who claim to love pie more than anything else in the world. Each competition is themed differently and was devoted to the exploration of a different judging rubric, including: popular vote, Survivor-style elimination, panel of experts, celebrity vote, US Election-style, and autocratic. Pie will be provided. Opening Reception: June 19, 2009, 6-9pm.
Anne Elizabeth Moore’s website: http://www.anneelizabethmoore.com/
Columbia College Chicago’s Center for Book & Paper Arts: http://bit.ly/5NY1R
Press Inquiries: Elizabeth Burke-Dain, 312.369.8695 or eburkedain at colum dot edu